Link- The Hamlet Rehearsals Have Begun!

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What if Shakespeare… ran a HALLOWEEN SHOP?

Something wicked this way comes…


“Come hither, come, come, come!” [1] “Be truly welcome hither” [2]. “Come, go in: / I’ll show thee some attires” [3]. “What is it you will see?” [4] “Be what thou wilt” [5]. “A Persian Prince” [6] “say you sir?” [7] “I like that well” [8].

“This new and gorgeous garment” [9] “fits the purpose passing well” [10]. “Quick, quick! we’ll come dress you straight: put / On the gown the while” [11].  “I do not like the fashion of your garments. / You’ll say they are Persian attire; but / Let them be chang’d” [12].

“Wouldst thou be” [13] “a gallant knight” [14], “attired like a warrior?” [15] “I’ll give thee, friend, / An armour all of gold” [16]. “It well befits you” [17]. “How like you this?” [18] “Pray you, look not sad” [19], “thou shalt have my best gown” [20].

(to attendant) “Come hither, sirrah” [21], “go fetch / My best attires” [22].

“Well, what would you say” [23] “the queen of all the fairies, / Finely attired in a robe of white” [24]. “I pray you, bear with me” [25]. “Fully satisfied” [26] “will I see thee by and by” [27].

(Aside) “Alack, alack, alack!” [28] “What should I do with him?” [29]

(to attendant) “Sirrah, a word with you” [30]. “Let’s go dress him / Like the witch of Brentford” [31].

“Good sir, draw near to me” [32]. “Behold and see” [33] “a wretched creature” [34], “spotted, detested and abominable” [35]. “So wither’d and so wild in their attire / That look not like the inhabitants o’ the earth” [36]. “What say you?” [37] “Is this the guise?” [38]

“Ay, those attires are best” [39]. “I shall give thee” [40] “a bloody mask” [41] “with great ragg’d horns” [42]. “Pray you, come near” [43], “I’ll tell you true” [44], “I am afraid, sir” [45], “to look upon the hideous” [46], “monstrous form” [47] “I see before me” [48].  “I pray thee, mark me” [49] – “with you in this garb” [50] “thou art assured” [51] “to fright the world” [52]. “And yet, I know thou wilt” [53] “win the prize” [54], “for thou look’st” [55] “second to none” [56].

Shakespeare re-arranged by Linda Nicoll

1. Anthony and Cleopatra [V. ii. 3441]
2. As You Like It [II. vii. 1096]
3. Much Ado About Nothing [III. i. 1179-80]
4. Hamlet [V. ii. 4027]
5. Henry VI. P I [V. iii. 2503]
6. The Merchant of Venice [II. i. 540
7. Cymbeline [IV. ii. 2794]
8. Pericles [II. v. 32]
9. Henry IV. P II [V. ii. 3292]
10. Titus Andronicus [II. iii. 819]
11. Merry Wives of Windsor [IV. ii. 2040-41]
12. King Lear [III. vi. 80-82]
13. Anthony and Cleopatra [IV. xiv. 3067]
14. Henry IV. P I [V. iii. 2901]
15. Cymbeline [V. iv. 3168]
16. Anthony and Cleopatra [IV. viii. 2816-17]
17. Henry IV. P II [III. ii. 1934]
18. As You Like It [III. ii. 1133]
19. Anthony and Cleopatra [III. ii. 2128]
20. Pericles [II. i. 741]
21. Measure for Measure [IV. ii. 1886]
22. Anthony and Cleopatra [V. ii. 3673-74]
23. All’s Well That End Well [II. v. 1348]
24. Merry Wives of Windsor [IV. iv. 2269-70]
25. As You Like It [II. iv. 729-30]
26. Henry VIII [II. iv. 1518]
27. Henry IV. P I [V. iv. 3073]
28. A Midsummer Night’s Dream [V. i. 2015]
29. Much Ado About Nothing [II. i. 426]
30. Macbeth [III. i. 1051]
31. Merry Wives of Windsor [IV. ii. 2055-56]
32. Comedy of Errors [V. i. 1436]
33. Anthony and Cleopatra [I. i. 16]
34. Julius Caesar [I. ii. 207]
35. Titus Andronicus [II. iii. 810]
36. Macbeth [I. iii. 140-41]
37. Pericles [II. i. 595]
38. Henry VI. P II [I. iii. 433]
39. Romeo and Juliet [IV. iii. 2549]
40. Anthony and Cleopatra [IV. xii. 2940]
41. Henry IV. P I [III. ii. 1960]
42. Merry Wives of Windsor [IV. iv. 2226]
43. Merry Wives of Windsor [III. iii. 1524]
44. Timon of Athens [I. ii. 582]
45. Taming of the Shrew [V. ii. 2589]
46. Henry IV. P II [II. iii. 1189]
47. Henry IV. P II [IV. ii. 2476]
48. Macbeth [II. i. 611]
49. The Tempest [I. ii. 189]
50. Hamlet [II. ii. 1456]
51. Sonnet 92 [2]
52. Henry VI. P II [III. ii. 1731]
53. Cymbeline [V. v. 3488]
54. Taming of the Shrew [II. i. 1195]
55. Pericles [V. i. 2323]
56. Comedy of Errors [V. i. 1430]

Shakespeare image:
Halloween image:

A behind the scenes tour of A Midsummer Night’s Dream

Today we open A Midsummer Night’s Dream at Central Commerce Collegiate!  We’re very excited to present our first mainstage production in our new home and we’ve invited pretty much everyone we know.  In honour of the event, we thought we’d give you a behind the scenes look at what’s been going on to prepare us for the occasion!

First up: the set!  Here is what it’s going to look like, more or less:

Here is what our stage will look like...

Danger! Lightbulbs sometimes break, thank goodness someone made a sign...I would've cartwheeled otherwise!

One room out of our three was dedicated to building the set and backdrop.  While touring with my camera, I encountered the above sign on the door.  It must have been quite the adventure in that room as everything was coming together!  So here’s a look at how the backdrop and trees were made by cutting trunks from canvas and painting them to look like multi-coloured tree trunks.

Making the backdrop: measuring triangles!

A box full of colours!

Resourcefulness leads to recycled paint containers.

The mess remains...

Now that we have the stage under control, it’s time to clothe those actors! So bust out that sewing machine, we’re making costumes.  And masks, many masks!

Let's get sewing!

Costumes, as organized by character...

The sketches are up next to the sewing machine...

Oberon's cape of adventure in hot glue!

A few finished masks and a lot of art supplies!

Mixing paint to make masks...

A finished mask...and more sketches.

And that is all we’re going to show you! If you want to see the rest, you’ll have to come see our show…