A Comedy of Errors

What if Shakespeare…were a WEATHER FORECASTER? (January Edition)

For Toronto, Ontario, Canada – January 7-13th

MONDAY:  Hideous winter… / Sap checked with frost and lusty leaves quite gone / Beauty o’ersnow’d and bareness every where (1). When clouds appear, wise men put on their cloaks (2).  High 0.

TUESDAY:  The blushing discontented sun / …perceives the envious clouds are bent / To dim his glory (3).  The more fair and crystal is the sky / The uglier seem the clouds that in it fly (4).  High 2.

WEDNESDAY:  Adding to clouds more clouds (5).  The winds grow high (6), the winds and persecutions of the sky (7).  High 5.

THURSDAY:   The sun breaks through the darkest clouds (8). To the brightest beams / Distracted clouds give way; so stand thou forth / The time is fair again! (9)  High 5.

FRIDAY:  A hot January (10) – This goodly summer with your winter mix’d (11).  The childing autumn, angry winter, change / Their wonted liveries (12). High 9.

THE WEEKEND – SATURDAY, SUNDAY:  Our day is gone; / Clouds, dews, and dangers come (13), cloud of winter showers (14), winter’s drizzled snow (15).  High 4 and 2.

1)  Sonnet 5

2)  Richard III, 2.3

3)  Richard II, 3.3

4)  Richard II, 1.1

5)  Romeo & Juliet, 1.1

6)  Henry VI, Part II; 2.1

7)  King Lear, 2.3

8)  Taming of the Shrew, 4.3

9)  All’s Well That Ends Well, 5.3

10)  Much Ado About Nothing, 1.1

11)  Titus Andronicus, 5.2

12)  A Midsummer Night’s Dream, 2.1

13)  Julius Caesar, 5.3

14)  Timon of Athens, 2.2

15)  Comedy of Errors, 5.1

Shakespeare re-arranged by Laboni

What if Shakespeare…were a FRAUD?


[The Tudors’ secret police court, the Star Chamber. Enter JUDGE, PROSECUTOR, and QUEEN ELiZABETH I; SHAKESPEARE sits in chains in the centre of the room.]

Either you must
Confess yourselves wondrous malicious,
Or be accused of folly. (1)

An’t shall please your majesty, I never said nor
thought any such matter: God is my witness, I am
falsely accused by the villain. (2)

Ah, what’s more dangerous than this fond affiance!
Seems he a dove? his feathers are but borrowed,
For he’s disposed as the hateful raven:
Is he a lamb? his skin is surely lent him,
For he’s inclined as is the ravenous wolf.
Who cannot steal a shape that means deceit?
Take heed, my lord; the welfare of us all
Hangs on the cutting short that fraudful man. (3)

Madam, I was thinking with what manners I might
safely be admitted. (4)

I will not excuse you; you shall not be excus’d;
shall not be admitted; there is no excuse shall serve; you
not be excus’d. (5)

Then, I confess,
Here on my knee, before high heaven and you, (6)
I am alone the villain of the earth,
And feel I am so most. (7)
Sigh no more, ladies, sigh no more,
Men were deceivers ever, (8)
The fraud of England, not the force of France,
Hath now entrapp’d the noble-minded[.] (9)
Shame hath a bastard fame, well managed;
Ill deeds are doubled with an evil word. (10)
It shall be fickle, false and full of fraud, (11)
Not to relent is beastly, savage, devilish. (12)
Thus do I ever make my fool my purse: (13)
And that the Earl of Surrey, with the rod. (14)
I told him what I thought, and told no more
Than what he found himself was apt and true. (15)

He said the truth: and what said Surrey then? (16)

To tell you true, I counterfeit him. (17)

Thou liest:
Within these forty hours Surrey durst better
Have burnt that tongue than said so. (18)

I am as true as truth’s simplicity
And simpler than the infancy of truth. (19)
The base
Shall top th’ legitimate. I grow; I prosper.
Now, gods, stand up for bastards! (20)

Will Fortune never come with both hands full,
But write her fair words still in foulest letters? (21)
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? (22)

Demand me nothing: what you know, you know:
From this time forth I never will speak word. (23)

What, will you tear
Impatient answers from my gentle tongue?
Fie, fie! you counterfeit, you puppet, you! (24)

Tut, I have done a thousand dreadful things
As willingly as one would kill a fly,
And nothing grieves me heartily indeed
But that I cannot do ten thousand more. (25)

Lo, here, the hopeless merchant of this loss,
With head declined, and voice damm’d up with woe, (26)
And I, of ladies most deject and wretched,
That suck’d the honey of his music vows,
Now see that noble and most sovereign reason,
Like sweet bells jangled, out of tune and harsh; (27)
Foul devil, for God’s sake, hence, and trouble us not;
For thou hast made the happy earth thy hell; (28)
Take hence this jack, and whip him. (29)
Thou basest thing, avoid! hence, from my sight!
If after this command thou fraught the court
With thy unworthiness, thou diest: away!
Thou’rt poison to my blood. (30)

All my merry jigs are quite forgot,
All my lady’s love is lost, God wot:
Where her faith was firmly fix’d in love,
There a nay is placed without remove. (31)

The rest is silence. (32)


All words Shakespeare’s own, assembled by David Windrim.

Original Quotations:
(1) Menenius Agrippa, Coriolanus
(2) Thomas Horner, Henry VI Part 3
(3) Queen Margaret, Henry VI Part 3
(4) Lafeu, All’s Well That Ends Well
(5) Robert Shallow, Henry IV Part 2
(6) Domitius Enobarus, Antony and Cleopatra
(7) Helena, All’s Well That Ends Well
(8) Balthasar, Much Ado About Nothing
(9) Sir William Lucy, Henry VI, Part 1
(10) Luciana, The Comedy of Errors
(11) Venus and Adonis
(12) Duke of Clarence, Richard III
(13) Iago, Othello
(14) First Gentleman, Henry VIII
(15) Iago, Othello
(16) Richard III, Richard III
(17) Antonio, The Merchant Of Venice
(18) Cardinal Wolsey, Henry VIII
(19) Troilus, Troilus and Cressida
(20) Edmund, King Lear
(21) Henry IV, Henry IV Part 2
(22) Brutus, Julius Caesar
(23) Iago, Othello
(24) Helena, A Midsummer Night’s Dream
(25) Aaron, Titus Andronicus
(26) The Rape of Lucrece
(27) Ophelia, Hamlet
(28) Lady Anne, Richard III
(29) Antony, Antony and Cleopatra.
(30) Cymbeline, Cymbeline
(31) The Passionate Pilgrim

(32) Hamlet, Hamlet

What if Shakespeare… ran a HALLOWEEN SHOP?

Something wicked this way comes…


“Come hither, come, come, come!” [1] “Be truly welcome hither” [2]. “Come, go in: / I’ll show thee some attires” [3]. “What is it you will see?” [4] “Be what thou wilt” [5]. “A Persian Prince” [6] “say you sir?” [7] “I like that well” [8].

“This new and gorgeous garment” [9] “fits the purpose passing well” [10]. “Quick, quick! we’ll come dress you straight: put / On the gown the while” [11].  “I do not like the fashion of your garments. / You’ll say they are Persian attire; but / Let them be chang’d” [12].

“Wouldst thou be” [13] “a gallant knight” [14], “attired like a warrior?” [15] “I’ll give thee, friend, / An armour all of gold” [16]. “It well befits you” [17]. “How like you this?” [18] “Pray you, look not sad” [19], “thou shalt have my best gown” [20].

(to attendant) “Come hither, sirrah” [21], “go fetch / My best attires” [22].

“Well, what would you say” [23] “the queen of all the fairies, / Finely attired in a robe of white” [24]. “I pray you, bear with me” [25]. “Fully satisfied” [26] “will I see thee by and by” [27].

(Aside) “Alack, alack, alack!” [28] “What should I do with him?” [29]

(to attendant) “Sirrah, a word with you” [30]. “Let’s go dress him / Like the witch of Brentford” [31].

“Good sir, draw near to me” [32]. “Behold and see” [33] “a wretched creature” [34], “spotted, detested and abominable” [35]. “So wither’d and so wild in their attire / That look not like the inhabitants o’ the earth” [36]. “What say you?” [37] “Is this the guise?” [38]

“Ay, those attires are best” [39]. “I shall give thee” [40] “a bloody mask” [41] “with great ragg’d horns” [42]. “Pray you, come near” [43], “I’ll tell you true” [44], “I am afraid, sir” [45], “to look upon the hideous” [46], “monstrous form” [47] “I see before me” [48].  “I pray thee, mark me” [49] – “with you in this garb” [50] “thou art assured” [51] “to fright the world” [52]. “And yet, I know thou wilt” [53] “win the prize” [54], “for thou look’st” [55] “second to none” [56].

Shakespeare re-arranged by Linda Nicoll

1. Anthony and Cleopatra [V. ii. 3441]
2. As You Like It [II. vii. 1096]
3. Much Ado About Nothing [III. i. 1179-80]
4. Hamlet [V. ii. 4027]
5. Henry VI. P I [V. iii. 2503]
6. The Merchant of Venice [II. i. 540
7. Cymbeline [IV. ii. 2794]
8. Pericles [II. v. 32]
9. Henry IV. P II [V. ii. 3292]
10. Titus Andronicus [II. iii. 819]
11. Merry Wives of Windsor [IV. ii. 2040-41]
12. King Lear [III. vi. 80-82]
13. Anthony and Cleopatra [IV. xiv. 3067]
14. Henry IV. P I [V. iii. 2901]
15. Cymbeline [V. iv. 3168]
16. Anthony and Cleopatra [IV. viii. 2816-17]
17. Henry IV. P II [III. ii. 1934]
18. As You Like It [III. ii. 1133]
19. Anthony and Cleopatra [III. ii. 2128]
20. Pericles [II. i. 741]
21. Measure for Measure [IV. ii. 1886]
22. Anthony and Cleopatra [V. ii. 3673-74]
23. All’s Well That End Well [II. v. 1348]
24. Merry Wives of Windsor [IV. iv. 2269-70]
25. As You Like It [II. iv. 729-30]
26. Henry VIII [II. iv. 1518]
27. Henry IV. P I [V. iv. 3073]
28. A Midsummer Night’s Dream [V. i. 2015]
29. Much Ado About Nothing [II. i. 426]
30. Macbeth [III. i. 1051]
31. Merry Wives of Windsor [IV. ii. 2055-56]
32. Comedy of Errors [V. i. 1436]
33. Anthony and Cleopatra [I. i. 16]
34. Julius Caesar [I. ii. 207]
35. Titus Andronicus [II. iii. 810]
36. Macbeth [I. iii. 140-41]
37. Pericles [II. i. 595]
38. Henry VI. P II [I. iii. 433]
39. Romeo and Juliet [IV. iii. 2549]
40. Anthony and Cleopatra [IV. xii. 2940]
41. Henry IV. P I [III. ii. 1960]
42. Merry Wives of Windsor [IV. iv. 2226]
43. Merry Wives of Windsor [III. iii. 1524]
44. Timon of Athens [I. ii. 582]
45. Taming of the Shrew [V. ii. 2589]
46. Henry IV. P II [II. iii. 1189]
47. Henry IV. P II [IV. ii. 2476]
48. Macbeth [II. i. 611]
49. The Tempest [I. ii. 189]
50. Hamlet [II. ii. 1456]
51. Sonnet 92 [2]
52. Henry VI. P II [III. ii. 1731]
53. Cymbeline [V. v. 3488]
54. Taming of the Shrew [II. i. 1195]
55. Pericles [V. i. 2323]
56. Comedy of Errors [V. i. 1430]

Shakespeare image: http://www.clipartmojo.com/shakespeare.html
Halloween image:  http://www.gograph.com/stock-illustration/tomb.html